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・ Shooting at the 1968 Summer Olympics – Mixed 300 metre free rifle, three positions
・ Shooting at the 1968 Summer Olympics – Mixed 50 metre pistol
・ Shooting at the 1968 Summer Olympics – Mixed 50 metre rifle three positions
・ Shooting at the 1968 Summer Olympics – Mixed 50 metre rifle, prone
・ Shooting at the 1968 Summer Olympics – Mixed skeet
・ Shooting at the 1968 Summer Olympics – Mixed trap
・ Shooting at the 1970 Asian Games
・ Shooting at the 1972 Summer Olympics
・ Shooting at the 1972 Summer Olympics – Mixed 25 metre rapid fire pistol
・ Shooting at the 1972 Summer Olympics – Mixed 300 metre free rifle, three positions
・ Shooting (association football)
・ Shooting (bridge)
・ Shooting (disambiguation)
・ Shooting Action Sports
・ Shooting an apple off one's child's head
Shooting an Elephant
・ Shooting at the 1896 Summer Olympics
・ Shooting at the 1896 Summer Olympics – Men's 200 metre military rifle
・ Shooting at the 1896 Summer Olympics – Men's 25 metre military pistol
・ Shooting at the 1896 Summer Olympics – Men's 25 metre rapid fire pistol
・ Shooting at the 1896 Summer Olympics – Men's 30 metre free pistol
・ Shooting at the 1896 Summer Olympics – Men's 300 metre free rifle, three positions
・ Shooting at the 1900 Summer Olympics
・ Shooting at the 1900 Summer Olympics – Men's 25 metre rapid fire pistol
・ Shooting at the 1900 Summer Olympics – Men's 300 metre free rifle, kneeling
・ Shooting at the 1900 Summer Olympics – Men's 300 metre free rifle, prone
・ Shooting at the 1900 Summer Olympics – Men's 300 metre free rifle, standing
・ Shooting at the 1900 Summer Olympics – Men's 300 metre free rifle, team
・ Shooting at the 1900 Summer Olympics – Men's 300 metre free rifle, three positions
・ Shooting at the 1900 Summer Olympics – Men's 50 metre free pistol


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Shooting an Elephant : ウィキペディア英語版
Shooting an Elephant

"Shooting an Elephant" is an essay by George Orwell, first published in the literary magazine ''New Writing'' in the autumn of 1936 and broadcast by the BBC Home Service on October 12, 1948.
The essay describes the experience of the English narrator, possibly Orwell himself, called upon to shoot an aggressive elephant while working as a police officer in Burma. Because the locals expect him to do the job, he does so against his better judgment, his anguish increased by the elephant's slow and painful death. The story is regarded as a metaphor for British imperialism, and for Orwell's view that "when the white man turns tyrant it is his own freedom that he destroys."〔Orwell, George. ("Shooting an Elephant" ), ''The Literature Network'', accessed April 17, 2011.〕
Orwell spent some of his life in Burma in a position akin to that of the narrator, but the degree to which his account is autobiographical is disputed, with no conclusive evidence to prove it to be fact or fiction.〔George Orwell: A Life〕 After Orwell's death in 1950, the essay was republished several times, including in ''Shooting an Elephant and Other Essays'' (1950), ''Inside the Whale and Other Essays'' (1957), and ''Selected Writings'' (1958).
==Context==
Britain conquered Burma over a period of 62 years (1823–1886), during which three Anglo-Burmese wars took place, and incorporated it into its Indian Empire. It was administered as a province of India until 1937, when it became a separate, self-governing colony, attaining its independence on January 4, 1948. With a strong interest in the lives of the working class, Orwell—born in India to a middle-class family, but brought up in Britain—held the post of Assistant Superintendent in the British Indian Imperial Police in Burma from 1922 to 1927.
"Moulmein used to be full of elephants (to ) haul logs in the timber firms. Ordinary tamed elephants have been part of Burmese life for centuries: () the rare and revered white elephant, is believed in Buddhist legend to be a symbol of purity and power."〔Emma Larkin, Finding George Orwell in Burma, p.221〕 By the time Orwell moved to Moulmein, in 1926, "he was most probably ambivalent about the colonial state of which he was a part. The Kipling-inspired romance of the Raj had been worn thin by the daily realities of his job in which he witnessed 'the dirty work of Empire at close quarters.' Orwell writes how he was trapped between his own resentment towards the Empire and the Burmese people's resentment towards him. As a member of the ruling power, he is cornered into doing what the 'natives' expect of him: ''He wears a mask, and his face grows to fit it.'' "〔Emma Larkin, pp. 223–224〕

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